A Review by Brian Appleyard (Sunday Times)
Copyright
of News International
`...And so now we have the policeman's story.
Ken Wharfe, one of the Yard's finest, has decided to blow the
gaffe on his years spent looking after Diana. It is, say some,
outrageous, a disgraceful betrayal of trust. Oh come on. There
is no private realm left in the Diana story, no trust left to
betray. Apart from anything else, in life she played the media
game so ruthlessly - "not altogether unhypocritical in
this", is how Wharfe puts it
- that she can hardly expect, in death, to command the discreet
silence of those who knew her.
"But the children," whine the moralists.
That doesn't work either. She wheeled them out on the beaches
for the benefit of the Long Toms of photographers Kent Gavin
and pals, and consistently used the press in subversion of the
advice of her friends and protectors. If William and Harry turn
out weird, then Diana's deranged media manipulations are more
likely to be at fault than the famously cold strictures of the
House of Windsor.
Wharfe's book is, you will gather, a hatchet
job.Repeatedly he says it isn't and repeatedly he proves himself
wrong. Anybody reading this book - except, perhaps, Camilla
Parker Bowles - will find they dislike Diana more at the end
than they did at the beginning.
Wharfe was her protection officer for seven
years from 1987. So she enters his story fully formed. This
is important because his impression of her is not the usual
one of innocent young filly warped by contact with the royals
and the media, but rather that of bitter wife and mother trapped
in a bad marriage with an unfaithful husband. This is a book,
therefore, about effects rather than causes.
The effects were, as we know, spectacular,
and are made more so by Wharfe's account. As her protector,
inevitably he was drawn into her own campaign of infidelity.
The list of men she either hypnotised or was hypnotised by -
Hewitt, Gilbey, Hoare and the rest - is long and damaging. Wharfe
himself is on this list. They weren't lovers but she certainly
drew him into the sticky web of her confidence. "Nobody
understands me, Ken," she says. It was, he observes, "one
of her trademark expressions".
In fact, being a royal protection officer appears
to be a quite impossible job. Keeping them safe seems easy enough,
keeping oneself safe, mentally and physically, is out of the
question. Your job is perpetually on the line
- Wharfe's superiors constantly question the liaisons with the
press on which Diana insists - your sanity is threatened by
the adulterous pantomimes over which you are obliged to stand
guard, and your body is threatened by the likes of Prince Harry,
who primarily appears in this story in order to kick Wharfe
in the crotch. Leave out the death and what we have here is
a farce.
But, that aside, this version of the story
is, above all, a revenger's tragedy. Diana loved Charles, he
did not love her and he had Camilla. After the birth of the
crotch-kicker, she concluded it was hopeless. Her vengance involved
taking lovers and, with increasing sophistication, using publicity
to discredit her husband and his family - "those Germans",
she called them.
Her charity work, however well meant, was part of the same programme.
In descending into the depths of disease and poverty as well
as in her campaign against landmines, she was signalling that
she cared more than the Windsors. Perhaps, for a while, she
did.
But, in the end, she didn't. Wharfe's insistence
on her life-affirming goodness becomes increasingly unconvincing
as she slips into petulance and into her dance of death with
the media. He finally ditches her after a row over whether she
can park on a double yellow line to run into Tower Records to
buy some CDs. And then - in the book's coda - he watches her
death from a distance, coldly criticising the security arrangements
provided by Mohamed al-Fayed.
It is a good read. Wharfe's ghost, Robert Jobson,
has done a fine job of maintaining tone, pace and lucidity.
He has also smoothed over the ambiguity of Wharfe's attitudes
to the woman. He seems to love her, or at least the idea of
her, as much as he loathes her. And the now celebrated anecdotes
flow smoothly enough. The moral of the tale - that Diana's vengeance
was obviously disproportionate to the wrong done her - is clear
but unstated.
``Ken,'' she said, climbing out of the British
ambassador's swimming pool in Cairo, ``if anything happens to
me you'll let people know what I was really like, won't you.''
Sadly for her, that is just what he did....'